By Jennifer Denning, Director, Atlanta InterPlay
Much, much, gratitude to InterPlay leader, Coke Tani, for allowing me to share this poem she has written which so beautifully articulates the gift of InterPlay.
InterPlay helps me to re-gather myself-
in beauty and grief, in love and body-
inspiring me to share with others in ways I feel most meant to.
InterPlay does this for me in a broader culture that has trained me,
as a Sansei woman, to be anyone except myself.
InterPlay invites me back to my senses.
It makes me want to be me.
It reminds me that life is the dance partner of my dreams,
perpetually inviting me, uncompromisingly as I am,
onto the floor- the floor that accepts
my passion and rage, my aching questions,
most convoluted, crooked humanity, my awkward laughter,
my long held tears.
On any InterPlay floor, I am received and clarified, felt and heard,
unraveled, realigned and then pointed to the door.
For me, this floor is most like God.
About Atlanta InterPlay
Tuesday, April 8, 2014
Saturday, March 29, 2014
Second Saturday (March 2014): Exploring the circles of communities to which we belong
by Ruth Schowalter, Atlanta InterPlay social media facilitator
Atlanta InterPlay met for its March 2014 Second Saturday play session. Fifteen of us, including Atlanta InterPlay leader, Jennifer Denning, met at 10:00 am for 90 minutes of freeing movement and talk.
The forms of InterPlay allow a way of being together that is "sneaky deep." Before you know it, you are talking about things that matter in new ways.
Today, Jennifer Denning had us "babble" about the small circles of friends or people that we belong to because of our special interests. She gave, for example, Prius owners who buy special cars because of their commitments to environmental conservation. After several opportunities of talking to different people about our inner circles, we got to speak about the times we penetrated a circle that we didn't belong to and the benefits we got from being involved and engaged in that "foreign" group.
In InterPlay, when one person talks, the other person listens. And there are so many different fun ways to tell stories. Come to an InterPlay session in Atlanta on our Second Saturdays and experience this meaningful fun for yourself.
Atlanta InterPlay met for its March 2014 Second Saturday play session. Fifteen of us, including Atlanta InterPlay leader, Jennifer Denning, met at 10:00 am for 90 minutes of freeing movement and talk.
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| WARMING UP. (photo by Ruth Schowalter) |
Today, Jennifer Denning had us "babble" about the small circles of friends or people that we belong to because of our special interests. She gave, for example, Prius owners who buy special cars because of their commitments to environmental conservation. After several opportunities of talking to different people about our inner circles, we got to speak about the times we penetrated a circle that we didn't belong to and the benefits we got from being involved and engaged in that "foreign" group.
| TALKING IN PAIRS. (photo by Ruth Schowalter) |
| AT THE END OF AN INTERPLAY SESSION. (photo by Ruth Schowalter) |
Wednesday, March 26, 2014
I Could Talk About
By Jennifer Denning, Director, Atlanta InterPlay
Those who’ve done InterPlay with me know one of my favorite
forms is “I could talk about.” I often use it at the beginning of a session. We
sit in the circle and introduce ourselves and say our name and something we could talk about.
Usually we go around the circle 3 plus times. There are so
many things we could talk about: our lives are rich with experience. Sometimes it's difficult for me to listen when someone talks and talks and talks about something (I'm sure I'm sometimes the one talking too much myself...), but I could listen
to people share what they could talk
about forever.
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| I could talk about the tulips in bloom! |
I could talk about being shy and loving structures that help
me communicate.
I could talk about my deep curiosity about my fellow human
beings.
I could talk about my desire to know and be known.
These little snippets of personal information are so
intriguing to me. We learn so much about each other in this exercise.
I could talk about learning that sometimes a few words are
just enough.
I could talk about the girls I teach through SynchronicityTheatre sharing themselves so easily through this exercise.
I could talk about creating connections.
Why do I teach InterPlay? I hunger for connections and play
gets me connected. Having a stranger become known broadens my world, broadens
my heart. It seems the more I connect with others, the more I connect with
something essential about myself. InterPlay- what a beautiful gift to give
myself, to offer my world.
What’s the path that you could talk about?
Tuesday, March 18, 2014
WARRIOR MOTHER SHEILA COLLINS: Atlanta InterPlay hosts the dancing social worker author
--by Ruth Schowalter, Atlanta InterPlay
social media facilitator
Sheila K. Collins wears many hats
and all with joyful ease of someone who has been doing InterPlay for a long time. While visiting
Atlanta to facilitate InterPlay’s “Life Practice
Program,” Sheila spent one day using InterPlay forms to perform her book, Warrior
Mother: Fierce Love, Unbearable Loss, and Rituals that Heal (2013).
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| The Alta Senior Living Center |
At a book performance
Sheila introduces herself as a “dancing social worker,” which always succeeds
in intriguing her audience, and those in her audience at the Alta
Senior Living Center in John’s Creek, an Atlanta suburb, were no exception.
Their interest heightened to see where this 74-year-old author was going to
take her dancing social work at the launching of their very first book club
meeting. They were not disappointed.
Sheila’s book readings are
unique in that they combine explanation, reading, music, dance, and other
InterPlayers. Jennifer Denning, Atlanta InterPlayer Director, Christine
Gautreaux, and I were there at the Alta Senior Living Center to assist in the
performances based on themes that Sheila pulls from her book. These meaningful
themes, which include mothering, children, death, and joy, thoroughly engage
the audience members who soon discover they are in the presence of a woman who
has lost two adult children to disease and found a way to survive their deaths.
After her book performance
at the Alta Senior Living Center, Sheila had an engagement with Atlanta Interfaith Broadcasters (AIB) in the heart
of downtown Atlanta. With Christine managing interstate traffic on a cold rainy
day, Sheila arrived at AIB just in time for filming. Audrey Galex, a
free-lance producer for AIB-TV and an Atlanta InterPlayer, had invited Sheila
to participate in a panel discussion about managing grief.
![]() |
| AIB Producer Audrey Galex and Sheila |
The short but very interesting
panel discussion concluded with Sheila using a form of InterPlay to give
viewers a “taste” of what her book, Warrior
Mother, is about. Combining
storytelling with movement, she was supported by three other InterPlayers (Audrey,
Christine and me), who echoed her movements.
Each time Sheila performs
her book, the performance is different. The variation results from the
improvisational nature of the InterPlay tools. When Sheila returns to Atlanta
in May and does other book performances, I encourage you to check one out.
You’ll never think of an author reading in the same way again or the themes
that she brings to the stage.
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| AIB PANEL PARTICIPANTS. Producer Audrey Galex (far left) assembled artist Carolyn Rose Milner (left center) life coach Lori Davila (right center), and Sheila K. Collins to discuss their different approaches to managing grief. |
Tuesday, February 11, 2014
FIRST SECOND SATURDAY: Atlanta InterPlay invites the community to play once a month
On Saturday, February 8, 2014, a group of 12 people from the Atlanta area met with Jennifer Denning at The Mask Center in the Little Five Points Community Center for 90 minutes of InterPlay.
InterPlay is open to anyone. Participants need no special training. Those who want a new and light way of being in a community with others might want to try InterPlay.
WHAT IS INTERPLAY?
InterPlay, an art form that anyone can do, has been gaining momentum in Atlanta for the past six years. Participants are invited into movement, song, story, stillness and connection through easy incremental steps. InterPlay honors and celebrates the unique expression of each individual in an affirmative and welcoming environment.
InterPlay is open to anyone. Participants need no special training. Those who want a new and light way of being in a community with others might want to try InterPlay.
![]() |
| SIMPLE SHAPES. Here InterPlay participants are making simple shapes, holding them for a while before moving on to a new shape that they want to make. (photos by Ruth Schowalter) |
InterPlay, an art form that anyone can do, has been gaining momentum in Atlanta for the past six years. Participants are invited into movement, song, story, stillness and connection through easy incremental steps. InterPlay honors and celebrates the unique expression of each individual in an affirmative and welcoming environment.
![]() |
| MOVING WITH A PARTNER. Participants were invited to move with a partner, to stay close or move a part but to stay connected in some way. Fun! (photo by Tony Martin) |
As Atlanta InterPlay meets regularly throughout 2014, we hope to see you there! Friend Atlanta InterPlay on Facebook (HERE) as a way to stay connected between play dates.
Friday, February 7, 2014
Atlanta InterPlay is forming a performance group!
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| At The Mask Center in L5P, Atlanta, Georgia (photos by Ruth Schowalter) |
ECSTATIC FOLLOWING: Atlanta
InterPlayers are learning what it means to be part of an InterPlay performance
group!
Written
from the perspective of Ruth Schowalter, InterPlayer participant and social media facilitator
I'm so grateful for
Jennifer Denning being an anchor for InterPlay here in Atlanta and
bringing Sheila K. Collins to our beautiful
southern city to help us develop an InterPlay performance group. Sheila has
already facilitated the development of 5 InterPlay performance groups form (4
in Texas and 1 in Pittsburgh). And Friday January
24, 2014, was monumental for those of us in the Atlanta InterPlay community
(visit our Facebook page)!
We got our beginning
performance workshop in the series of four that we will receive over the next 8
months. First, Sheila gave us a brief
history of InterPlay performance groups. The first one was “Wing It,” which InterPlay co-founders
Phil Porter and
Cynthia Winton-Henry started in San Francisco more than 2 decades ago and continues to be
vibrantly alive today. Then after the brief history…drum roll…
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| A BRIEF HISTORY. Sheila K. Collins (second from left) gives us a quick history of how InterPlay developed performance groups in different cities (see a list of InterPlay performance groups HERE). |
…Sheila introduced the
concept of "ecstatic following."
What a curious phrase--ECSTATIC FOLLOWING!!!
In Cynthia and Phil's
book, What the Body Wants, there is a section
about being a FOLLOWER when you are doing InterPlay activities. Yes, you can be a leader as well, but an
important way of being is FOLLOWING! This is a “charged” word to a citizen of
the United States! We are taught to be independent and to shed other people’s
new ideas like yesterday’s old skin.
In InterPlay
performance and activities, however, FOLLOWING is essential. I leaned in to
listen to Sheila because I had read about this concept of being a FOLLOWER
several months ago in Cynthia’s and Phil’s book. Now, to hear about
"following" again in the context of our newly forming performance
group, my understanding of this concept heightened, deepened, and became
evermore curious!
Did Cynthia refer to
FOLLOWING as an "ecstatic" activity, I asked myself. Maybe…I will
have to check that out later. But for
now, I am leaning into the concept of "ecstatic following." What does
it mean for us—the Atlanta InterPlay Performance Group? For me?
Well, to perform
improvisation using the tools of InterPlay, one needs to follow his/her fellow
InterPlayers--that's what creates the awesomeness for the audience. The actions
look rehearsed. That is...if players
are fully committed to following movements of other players. That means
surrendering your own ideas, being vulnerable and present to others, and taking
risks.
WHY would we want to
surrender our own ideas, be vulnerable and present to others and to take risks
when performing?
Because we want to
build a community not only amongst our InterPlay performance group but also in
our wider Atlanta community. InterPlay performance groups are a form of
activism.
YES! Artful play is Activism—making
positive change in our communities! So,
right now, we Atlanta InterPlayers are needing to ask ourselves this important
question:
What are the needs of
our community?
For now, that is all
the time I have to talk about the first workshop of Atlanta InterPlay
performance group. Stay tuned if you are curious about us. Maybe you will want
to join us!
THE LIFE PRACTICE PROGRAM COMES TO ATLANTA 2014
An Interview with Sheila K. Collins
By Ruth Schowalter, Atlanta InterPlay social media
facilitator
In January 2014, some Atlantans
took the opportunity to go deeper into the tools and philosophy of InterPlay. It is the first time that the four 3-day-weekend
“Life Practice Program,” has been offered in the Metro-Atlanta area (see details
below).
Pittsburgh InterPlay’s Sheila K. Collins is facilitating this long-term program based in supportive community.
Soon after meeting Sheila in October when she visited Atlanta with Cynthia Winton-Henry to facilitate the program “Secrets,” I asked her
to answer a few questions about the “Life Practice Program.”
Ruth Schowalter: What is the “InterPlay Life Practice Program”?
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| SHEILA K. COLLINS |
Sheila K. Collins: In InterPlay, we have a system of art-based
practices, and the “Life Practice Program” is the application of these
practices to your life. The playing of
InterPlay practices into your life can be for amusement or purposefully--whatever
your goals are, whatever you are hoping to accomplish in your life.
Ruth Schowalter: Why might people consider doing the “Life Practice Program”?
Sheila K. Collins: I know an awful lot of people who consider
themselves to be working too hard and being too serious. They are just not having
as much fun in their lives as they would like to be having. I think we all
would like to have more ease in our lives, and
that’s what the InterPlay system offers.
In terms of myself, I was fascinated with InterPlay. I would be at an InterPlay event, and it
would be fun and enlivening and I would ask myself, “How can I bring InterPlay
into my regular life—in my relationships with my husband, or children, or into
my work space?”
Ruth Schowalter: Who would benefit from
participating in the “Life Practice Program”?
Sheila K. Collins: I think it would be a benefit to anybody.
Ruth Schowalter: When did you first become involved in InterPlay?
Sheila K. Collins: In 1992,
I met Cynthia Winton-Henry by telephone after
seeing a poster advertising an event she was doing. I lived in Texas at the time but was visiting
Berkeley CA. to promote my first book, Stillpoint: The Dance
of Selfcaring, Selfhealing. A former student had invited me, so I was
visiting the Pacific School of Religion (PSR)
on “holy hill,” where there are all of the various seminaries—Baptist,
Jewish, Catholic, —and PSR where Cynthia taught was non-denominational and
focused on the arts. I saw one big wall with all these posters and Cynthia’s
caught my eye. I felt strongly that I
needed to talk with her and called her up. In those days, because we didn’t
have the Internet, we developed our relationship through snail mail, using
letters with stamps.
Ruth Schowalter: What differences has InterPlay made in your life?
Sheila K. Collins: I would say it has given me the ability to fully
own and embody, all that I am. I often felt I wore these different hats,
playing roles that were separated from each other. Through the practices of
InterPlay, all my parts came together in one container. Also, InterPlay allowed
me to connect again to the arts, which provide such tools for transformation;
it gave me that permission.
Ruth Schowalter: How does InterPlay manifest itself in your life today?
Sheila K. Collins: I think the biggest difference has been the
communities that I am connected to all over the world. I have a sense of being
in a very large tribe of people that wherever I go, I can connect with people
who are InterPlayers. We can sing, dance, and tell our stories to one another, like
tribal peoples always did.
In my book, Warrior Mother: A
Memoir of Fierce Love, Unbearable Loss, and Rituals, I write about the
way the InterPlay community has supported me through personal challenges in my
life. For example, when my daughter was being treated for breast cancer at a
hospital in Houston, I contacted a woman I had met in California through
InterPlay. She was a chaplain, serving a hospital directly across the street
from where my daughter was receiving treatment. My daughter and I helped her do
an in-service for her staff using InterPlay.
The idea to perform passages from Warrior Mother came to me
through the work I do with InterPlay. When I was writing the book I used
InterPlay tools to help me generate memories and stories from my experiences
with my children. Now using InterPlay to improvise on the book’s themes feels
like turning a prism to highlight different aspects of my stories, inviting
other people to connect their stories to mine.
Since my book is about the death of my two adult children, it could be
a downer. However, I have been using the gift of play to get inside the story
of our lives by highlighting important life themes. I think many of us have the
belief that we have to be in the mood to play. That is not true. In fact, the
spirit of play may be more necessary when things get heavy in our lives.
Ruth Schowalter: Do you like teaching the tools, forms, and philosophy of InterPlay? Why?
Sheila K. Collins: I think it is one of my most favorite things to
do in the world. I have always worked with small groups, and experienced the
magic that can happen. The “Life Practice Program” is a kind of seminar where
you have a curriculum with theoretical material that you are learning, and, at
the same time, you are bringing your own experiences to it.
Ruth Schowalter: You just came to Atlanta to facilitate “Secrets of InterPlay” with
Cynthia Winton-Henry. How did you find Atlanta?
Sheila K. Collins: Atlanta surprised me because it is so beautiful.
The trees and forests where I was staying were unexpected, as was the sunny,
wonderful weather. The particular people I met were quite amazing. InterPlaying
together offers the opportunity to get to know people in a special way. It was
very magical.
Ruth Schowalter: Anything to add about coming back to Atlanta for the “Life Practice
Program” in 2014?
Sheila K. Collins: There are a number of people in the Atlanta area
who want to form an InterPlay performance group, and they have asked me to
teach a class on InterPlay Performance Forms while I’m here (see details below). I am very excited about that because I know from my own InterPlay
performance experiences in Pittsburgh that a performance company provides a fun
way to serve important needs in the community.
DETAILS ABOUT THE LIFE PRACTICE PROGRAM:
WHEN: January (24, 25,
26); March (14, 15, 16); May (16, 17, 18); and July (11, 12, 13).
WHERE: Pine Lake Clubhouse, 462 Clubhouse Drive, Pine Lake, Georgia, 30072
WHERE: Pine Lake Clubhouse, 462 Clubhouse Drive, Pine Lake, Georgia, 30072
COST: $1,950 plus a space user fee of $100. $100 reserves your place in the program.
DETAILS ABOUT THE INTERPLAY PERFORMANCE WORKSHOP SERIES:
WHO: lead by Sheila K. Collins,
PhD.
WHEN:
Friday January 24th, 2014, March 14th, May 16th,
July 11th 10 am–12:30 pm
COST: All
four Sessions - $99. Single session - $30.
WHERE: To
be announced.
FOR MORE INFORMATION ABOUT BOTH PROGRAMS: Contact Atlanta InterPlay's
Jennifer Denning (404-272-0848 or jdenning1@yahoo.com) or InterPlay (510-465-2797 or www.interplay.org)
Labels:
Atlanta InterPlay,
Secrets,
Sheila K. Collins
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