EXPECT THE UNEXPECTED AT EARTH WISDOM: Join Jennifer Denning and the Soulprint Players for an evening of InterPlay improvisational forms

JENNIFER DENNING AND THE SOULPRINT PLAYERS. Pictured here on a Saturday rehearsal Soulprint Players look on while Director Jennifer Denning tells the last 3-sentence story  in a performance structure called "The Pittsburgh Form."(photo by Ruth Schowalter)

On April 22, the Soulprint Players will give an improvisational performance on the theme "Earth Wisdom" at Moving in the Spirit. See details HERE. In preparation for this first spring performance, Soulprint Player founder and director Jennifer Denning was interviewed by Ruth Schowalter, certified InterPlay Leader.

As the founder, director, and member of Soulprint Players, InterPlay Atlanta's performance troupe, can you tell us something about who you and your members are and what you do?

I am an actor and teaching artist. In my early 20's I improvised with Dad's Garage Theater. I loved having a platform to try on so many different characters and to make things up in the moment. I was great at committing to characters and being fully engaged, but not as great at having a quick wit or being up to date on current pop culture references. I am in awe of the talent of some of the improvisors at Dad's, but I wondered about what type of improvised performance might make the audience cry or connect or reveal the world in a different sort of way. 

When I discovered InterPlay and then the possibilities of InterPlay performance it clicked for me. InterPlay performance gives me a context to create and share the real stuff of my own life through story, movement and voice. I've found all three of these forms of artistic expression to be full and joyous for me.

SOULPRINT PLAYERS, GRATITUDE PERFORMANCE, November 2014 (photo by Dean Hesse)

Most of our ensemble members are performers of some sort- but not all. We have a man who is an 80-year-old dharma teacher who performs with us.  He creates some of the most honest and unexpected moments. Part of the magic of a Soulprint Player performance is the connection we create with each other and the audience. Training is less important than a willingness to show up with honesty and heart. That said, the InterPlay forms create an engaging format for what we create. That structure is important.

EARTH WISDOM PERFORMANCE. Soulprint Players give an improvisational performance on Friday, April 22, 2016, at Moving in the Spirit. Titled "Earth Wisdom," Jennifer will lead herself and her performers into the "unexpected" with inspirational input from audience members.

"Earth Wisdom" is the theme of your improvisational performance on Friday, April 22. What can the audience expect to happen and how do you engage them?
 
They can expect the unexpected! That is the joy and aliveness from creating out of who shows up and "what wants to happen." We are all connected to the earth, and I imagine everyone has a story to tell about a moment something in the natural world awed, inspired or changed them. We'll ask the audience to share a bit on that topic and use their offerings as inspiration for the dances and songs we create.  

In any InterPlay offering (performance related or not) we make space for the difficult stories as well. There is certainly plenty to grieve about when we think about losses in our natural world. There can be power and healing in a collective acknowledgement of what has been lost, and perhaps a greater awareness and commitment to action can emerge.
 
The funds that you collect from ticket donations will support scholarships for the InterPlay Atlanta sponsored June untensive, "Nda Ku Ona (I see you): From Fear to Promise," with national InterPlay leaders Coke Tani and Masankho Banda. Why?

Our connection to each other cannot be separated from our connection to the earth. If I am living my life primarily from a state of self preservation I am less likely to care about the earth or the needs of other people on the planet. Masankho and Coke are amazing leaders who will lead participants in an embodied exploration of the ways we cut our selves off from people who are different than us. 

The practice of releasing fear and stepping into promise in relationship with other people organically leads us into healthier relationship with the earth as well. We want to make this untensive available to those who might not have the funds to attend. Creating a scholarship fund through funds raised from this performance seemed like a perfect opportunity.
 
What are upcoming SoulPrint Player performances?

We will be performing on the theme of "The Art of Being Human" as a part of Breaking New Ground at the Decatur Arts Festival over Memorial Day Weekend.

Below is a slideshow of a previous Soulprint Players' performance with guest artist, Masankho Banda.

 

Nda Ku Ona: From Fear to Promise (June 2016 InterPlay Untensive in Atlanta)

NDA KU ONA....What does it mean?

NDA KU ONA means "I SEE YOU." And is the name that Masankho Kassimi Banda and Coke Tani have named the June InterPlay Untensive that they are facilitating at the invitation of InterPlay Atlanta, and the mastermind, Jennifer Denning, along with the two other certified InterPlay Atlanta leaders, Christine Gautreaux and Ruth Schowalter.

The subtitle reveals more of the context of the way each one of us may view or SEE the other--"FROM FEAR TO PROMISE." Here are some of the questions that Masankho Banda and Coke Tani will offer for us to play/InterPlay with:

As we awaken to our shared, death-dealing legacies of racism, Islamophobia, and anti-immigrant xenophobia, how can we be supported and sustained in our collective pursuit of liberation and dignity for all? 

How can we open ourselves to the truths of our power-laden separations, while also remaining open to social and spiritual medicines we bring with us into this world when we are born?

Coke Tani and Maskankho offer us these words about how they view the improvisational system of InterPlay when addressing questions of this depth:

InterPlay is a multi-disciplinary, liberating system of creative tools that invite us to bring our whole selves to this vital conversation. Using accessible, guided forms of movement, sound, story, stillness and connection—all part of our “birthright”—we not only find new ways to live with information we already have, we also discover wisdom about collective liberation that could not be realized through simply thinking or talking about it.

Coke Tani and Masankho Banda have traveled this journey of revelation of hope through many communities. Their insights revealed through the lens of InterPlay will inform, transform and create a strong platform for a future of promise.

Please join us in Atlanta for this special untensive: "Nda Ku Ona: From Fear to Promise taking place from June 3rd to June 5th! Register by April 22nd and receive an early bird discount price:$200. If you register after April 22nd, the fee is $250. 

For More Information you can email: AtlantaInterplay@gmail.com

Accessing the Stories within You: Workshop with Masankho Banda

MASANKHO KAMSISI BANDA. Facilitating the storytelling workshop, "Accessing the Stories within You." (photo by Ruth Schowalter)

by Ruth Schowalter, certified InterPlay leader

We slipped our shoes off at the door of the Rising Phoenix T’ai Chi studio located in the Little Five Points Community Center and joined Masankho Kamsisi Banda, international storyteller and InterPlayer from Malawi. After a centering meditative activity, we shared our names and began by telling a one-minute story about “walking” with the group of six participants that had gathered for the evening storytelling workshop.

Masankho prefaced this one-minute storytelling activity with the question: “Where do our stories hang out and how do we tell them?”

To my surprise as we went around the circle telling our one-minute walking stories, I discovered that I have gathered numerous stories about my walking experiences over the course of my 57 years. This realization thrilled me! It is possible that storytelling can come in categories of simple unpretentious words! Consider the following words: toothbrush, cake, mosquito, and sidewalk. What stories organize around those words for you? Is it possible to tell a one-minute story about each one of those words? I think the answer might be “YES”! This is the beauty of InterPlay’s incremental steps and Masankho’s calm peaceful facilitation of them.

On this warm rainy Friday night in November, InterPlay Atlanta was privileged to offer a workshop to our metro Atlanta area folks to learn how to access the stories that are already with us and how to share them in dynamic and fun ways. Masankho, who learned the arts of storytelling and drumming from his village elders in the African country of Malawi, blends his cultural learning together with Interplay providing powerful learning tools for both the emerging and accomplished storyteller. (For more information about Masankho go here: http://www.ucandanc.org/masankho_biography)

After doing some “noticings” about our one-minute stories, we warmed up using  InterPlay forms accompanied by what I can only describe as “poetic” instructions. As a lifelong writing teacher who has struggled with ways to get students to be more specific by paying attention to their senses, I experienced a master teacher ease us into observation. Masankho asked us to notice the colors, the shapes, and the textures as we moved about the room. With excitement, I experienced the “embodiment” of details as I stretched my arms out and swung them and stepped about the room looking and seeing. It was almost as if the colors were brighter and the shapes more defined! And that was just the warm up!

Going deeper into the warm-up, as we continued to move, Masankho called out letters of the alphabet and asked us to give him words beginning with that letter. Moving and creating together, a symphony of voices filled the room in response to “T,” “M,” and “W.” Being a voice in a community of voices allows you to listen, to speak out and to layer on top of other voices.  Yes! It was challenging, fun, and satisfying.

Masankho offered us poetic phrases to repeat. Some were poetic phrases composed with alliteration; others were of ordinary things but compellingly visual, and still others were just really fun to say! He then asked us to complete sentences for him. Imagine such fun word play while still engaging yourself in stepping about the room, looking or not looking, listening to others, responding when you are ready!

InterPlayers around the world will gasp at the “sneaky deep” and elegant play we did to access our stories within. Masankho partnered us, with one person being “Partner A” and the other being “Partner B.” Then we did the InterPlay exercise, “Walk Stop Run” while he played the drum. When he stopped playing, we told whatever story came up from our running, stopping, and walking. Movement for me triggered a memory from the early 1980’s at a syrup sopping festival in Loachapoka, Alabama.

 

FIND MY STORY. TELL MY STORY. SOMEONE WILL LISTEN. We finished our evening with an affirming three-sentence song about being storytellers. (photo by Ruth Schowalter)

The progression of Masankho’s movement and storytelling workshop led us to a “Hand to Hand” dance with a new partner and a word given to us by Masankho, which we released with a “wheee” before beginning our “dance.” The “wheee” is permission to let the word go, be present, or a launching pad for something else.
After this activity, we sat down and noticed what are experiences were. Masankho acknowledged what we said, and offered: “Physical proximity and touch are fertile grounds for stories.”

Before leaving, we had the opportunity to do a “DT3,” an InterPlay form, which the storyteller moves first, then talks in three successive intervals while a partner witnesses. Masankho encouraged us to “move, and move, and move, without thinking” and to allow words to emerge from our movement. This experience allowed some of us to relinquish “linearity” to our stories.

There is so much more to the rich experience of this storytelling workshop with Masankho. I have just given you a “taste” here with this blog post written hastily on a Saturday morning.  (It is still raining by the way.) I hope Masankho will forgive me if I have misportrayed anything about last night’s workshop by giving this broad view. It is “my story” of my first meeting with Masankho. I look forward to future ones! He led us in this short song before we dispersed out into the rainy night skies over Georgia:

Find my story

Tell my story

Someone will listen

Acknowledgments:

Thank you Jennifer Denning for contacting Masankho Kamsisi Banda and engaging him in the workshops and performances this weekend. And, as always, many thanks to Phil Porter and Cynthia Winton-Henry, co-founders of this amazing improvisational system of InterPlay. Also a shout out to Sheila K. Collins, Ginny Goings and Tom Henderson, who also gave storytelling workshops for InterPlay Atlanta.

THANK YOU MASANKHO! Here I am (left) with Masankho and Jennifer! Feeling a lot of gratitude for all that InterPlay has brought to my life. I am beginning to "grow" the storyteller in me and it feels good! I know someone will listen. (photo by Tony Martin)